The music is performed architecture, while the architecture is petrified music. He said more than a century ago Goethe.
Music and architecture: two apparently distinct forms of communication, but having a common matrix, based on harmony, balance and proportion. The relationship between architecture and music finds its origins to the dawn of civilization, where there was the architectural progress of the exaltation of the art tool and where the art was expressed through the instrument of musical composition, as well as the most popular forms of expression are painting and sculpture.
Music and architecture: two apparently distinct forms of communication, but having a common matrix, based on harmony, balance and proportion. The relationship between architecture and music finds its origins to the dawn of civilization, where there was the architectural progress of the exaltation of the art tool and where the art was expressed through the instrument of musical composition, as well as the most popular forms of expression are painting and sculpture.
Architecture merges with the music in its being a means to engage a tool to excite. Vehicle emotions. The architecture is, by definition, communication, synthesis of all arts. The music involves a man and brings him into new dimensions through the use of rhythm conveyed in the sense of hearing, as does the architecture through the senses of sight, in transmuting modularity, repetition and symmetry , namely rhythm. It gives one the feeling of listening to the rhythm of architectural harmony of the building and looking to see the musical rhythm imagining spaces evolving, still forming, by listening to a musical score.
Analyzed the marriage between architecture and music of the Auditorium Spazio Thetis in the Architecture Biennale in Venice, where he held a meeting with the composer Ezio Bosso. The artist - bassist, composer and conductor and classical composer only Italian to have received the Italian Music Award - is the protagonist along with Philippe Daverio, Mario Botta, Alessandra Morra and Fortunato D'Amico, entitled Music of the night- Architecture-Culture. The event proved an opportunity to present the book Eso-Composition of architectural space designed by Alessandra Morra Minucciani and Valeria, an analysis of the concerto violin and orchestra teacher Bosso performed within the St. Stephen's Cathedral in Vienna. Bosso
The concert - entitled Esoconcerto - reflected through changes in the value of notes and rests, the musical score in architectural movement. Heterogeneous analysis and articulated as a goal that puts the interpretation of the musical composition to retransmit Bosso under the listener, in key architecture. The project was born and evolved during the event "green Culture_Natur habitat-environment-ethics," which will run until November 21, whose intent is to integrate the different areas of multidisciplinary art that apparently have relationships between them, but a more accurate analysis are rather near misses, including these, together, appear to be parts of the same art, shades of a single large light and dark, many linked by thin wires. What links here
the inviolability of musical coherence and harmony of architectural monuments. The musical project of box allows you to explore these areas, including through techniques such as tempo. Explain the architecture discoursing only of architecture is purely academic and is a mental exercise for its own sake. The same reasoning applies to the music. The art is reduced to technicality. But when you can put the two subjects in the face, then takes a step forward in the evolution of art, and when you learn the rhythm and its variations and puts them in conjunction with the modularity of a work of architecture, it is understood that between the two artistic disciplines There are areas within which you must move by activating the senses. Having no fear of mixing.
because the architecture is music for the eyes, the music and the means to imagine the monumentality of an overture, the spaces in a constantly changing musical score.
The music is performed architecture, while the architecture is petrified music . He said more than a century ago Goethe.
Analyzed the marriage between architecture and music of the Auditorium Spazio Thetis in the Architecture Biennale in Venice, where he held a meeting with the composer Ezio Bosso. The artist - bassist, composer and conductor and classical composer only Italian to have received the Italian Music Award - is the protagonist along with Philippe Daverio, Mario Botta, Alessandra Morra and Fortunato D'Amico, entitled Music of the night- Architecture-Culture. The event proved an opportunity to present the book Eso-Composition of architectural space designed by Alessandra Morra Minucciani and Valeria, an analysis of the concerto violin and orchestra teacher Bosso performed within the St. Stephen's Cathedral in Vienna. Bosso
The concert - entitled Esoconcerto - reflected through changes in the value of notes and rests, the musical score in architectural movement. Heterogeneous analysis and articulated as a goal that puts the interpretation of the musical composition to retransmit Bosso under the listener, in key architecture. The project was born and evolved during the event "green Culture_Natur habitat-environment-ethics," which will run until November 21, whose intent is to integrate the different areas of multidisciplinary art that apparently have relationships between them, but a more accurate analysis are rather near misses, including these, together, appear to be parts of the same art, shades of a single large light and dark, many linked by thin wires. What links here
the inviolability of musical coherence and harmony of architectural monuments. The musical project of box allows you to explore these areas, including through techniques such as tempo. Explain the architecture discoursing only of architecture is purely academic and is a mental exercise for its own sake. The same reasoning applies to the music. The art is reduced to technicality. But when you can put the two subjects in the face, then takes a step forward in the evolution of art, and when you learn the rhythm and its variations and puts them in conjunction with the modularity of a work of architecture, it is understood that between the two artistic disciplines There are areas within which you must move by activating the senses. Having no fear of mixing.
because the architecture is music for the eyes, the music and the means to imagine the monumentality of an overture, the spaces in a constantly changing musical score.
The music is performed architecture, while the architecture is petrified music . He said more than a century ago Goethe.
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