A editorial staff. The Telemachus is nothing more. Small and free. And thanks to its "size" and its "freedom" is a drawing that does not genuflect before any power. Faced with no established power.
The Telemachus, not in control. It has no political references, they affect the party superstructure. The
Telemachus can afford to be free. Free to
INFORMATION. The real one, without censorship.
Since the days of " Zero - an investigation on September 11 ", through the creation of "Blood & Concrete - an investigation on the earthquake Aquila " this pint-sized drawing is in charge of investigations.
I Telemachus us to work with me and so many boys and girls of my age. Young journalists who can claim to be a freelance journalist.
With them I share a passion for this work. I share with them the desire to expose, spread, more than simply inform.
share the dream to achieve something that makes a difference. That is not subservient to any power. Something that leaves a mark and that annoys those who have a guilty conscience. Who has something to hide.
We do investigative journalism. A difficult job, which in our country has been almost totally abandoned.
We make documentaries, with the conviction of wanting to spread some good. With the desire to inform people. With the need to highlight the truth, the facts.
We do investigations. And the film "The Lady and the Knight " is an investigation. Made with great skill by my colleagues and friends in the draft.
"The ladies and the Knight " an investigation is disturbing, but true. An investigation that has set new standards in system-Italy. This is a documentary that will never be able to see broadcast on national TV. It 'a work of journalism that "they" do not want you to see.
Soon the DDL piduista anti-wiretapping, commissioned by Premier Silvio Berlusconi, will file a sad film censorship throughout the Italian media. Forcing her to quit for a fact you can do their work.
One of the aims of the new law gag Berlusconi is to not allow more than in any way, that the interception of any kind, are published in newspapers or included in documentaries and television programs. This will lead to the result to make it even more impunity impunity and to ensure that impunity is widespread and served to the public.
" The ladies and the Knight" is a work that, at this moment, completely clashes with censors who are the plans of Prime Minister Silvio Berlusconi.
is a documentary that brings together and makes the story more irraccontabili of our Prime Minister. His perverse relationship with prostitution. The unequivocal and clear system of favors, including sexual, he had created through years of politics. His questionable behavior with which we achieve our primary prostitutes, promising political careers, armchairs and gold at the European places.
is a documentary that makes extensive use of excerpts from wiretaps and interviews to supplement these records with concrete and unassailable.
" The ladies and the Knight" is a film that draws its strength dall'inoppugnabilità intercepts and records contenutovi. And that is why a documentary uncomfortable that we do not want to see the Italians.
"The ladies and Knight "will become illegal.
is therefore a race against time. Before it is approved anti.intercettazioni DDL, it is important that the documentary will be released as much as possible throughout the country. It is important to be able to move the minds of Italians, before the last dark censorship of the government to weigh upon them.
UPCOMING SCREENINGS:
June 21, Pisticci (Matera) 20.30 - Act in Circus, c.so Margherita, 130
June 26, Ronciglione (Viterbo)
28, 29, June 30, Cagliari
June 30, Pordenone
July 1, Rome - International Women's House, Via della Lungara, 19
July 5, Catania and surroundings
INFORMATION AND DVD SALES:
Telemachus productions: 066873212
e-mail: damecavaliere@gmail.com
Facebook: "The ladies and gentleman"
Following the interview with Franco smash, my colleague and friend and director of the film, made possible by careful investigation of the journalists: Andrea Petrosino, Stefania Creature, Andrea and Luisa Closed Mecci Sgarra.
What problems have you encountered in the distribution of the film?
We thought the most natural distribution was through the newspapers that are dell'antiberlusconismo a flag, so you have a widespread and open your eyes to as many people as possible. But all the papers to which we turned we have slammed the door in his face. With some we arrived almost at the signing of the contract, others have stopped before, but none for commercial reasons or because he liked the movie. They got all scared, because of the climate that you created in the country.
What you have said?
That's too risky, that they are unable to fund their causes and to pay the lawyers in the case of complaints. We have consulted several law firms and all have told us that the film is immune from the legal point of view. The suspicion is that there has been a heavy political intervention. In most cases the ownership of newspapers has intervened and the project went to air. So we thought we distribute in newspapers, but even in this case, the distributors have not accepted because it was too risky.
What's in this documentary that is so afraid? It is not known and topics have already been published on several occasions?
The elements of information are all more or less known, but the media have been presented in a fragmented, no one has ever put together. See and hear all of the material makes a big impression. Furthermore we give a political reading of the relationship between Prime Minister Berlusconi and women. We interviewed two former members of Forza Italy - Marcello Vernola, former MEP who is now the province of Bari, and Paolo Guzzanti, former Member of Forza Italy and president of the Mitrokhin Commission - and both have told us what you think of the Parliament and Berlusconi Italian Constitution and explained that Berlusconi wants to change our institutions through the women.
One would expect that the opposition had the public interest to make a documentary like this ...
to me that one year has passed and Patrick D'Addario has never really been interviewed by any television broadcast. Was this Annozero for five minutes and the transmission of Gad Lerner for another five minutes. But no one has ever called for two major things: why he recorded the conversations with the Prime Minister and why he decided to report everything to the judiciary. Only by answering these questions you really understand the story and the reason why Berlusconi has set in motion the Interior Ministry to stop this woman. She came to report the matter to the judiciary because it was life threatening. If you do not understand these things, public opinion is the idea that D'Addario has been the instrument of a conspiracy and that he wanted to blackmail Berlusconi. None of our media has tried to really understand what happened nor did supported the people who were crushed by the experience. Such as the photographer Antonello Zappaddu, which published photos of the festivities at Villa Certosa, but now has fled to Colombia. The newspaper for which he worked fired him, and neither journalists nor the order of individual colleagues have rallied to his defense.
What materials did you use for the film?
We interviewed as many people as possible, even though many have refused. At the end of the film, to be honest information, we included the list with the names of people who have not had to interview, including the minister Mara Carfagna, Letizia, the minors who attended the Prime Minister, and his parents. To fill the gap, we turned to the circle of people who have had to deal with those directly involved, in order to reconstruct the stories. Then we talked to several journalists who have dealt with these events and we used the records of the wiretaps, records of D'Addario, the film documents, in short, everything that we were able to fix it.
What is the idea that emerges?
There is a world of girls, entrepreneurs, entertainers, leaders of business, which revolves around sex and is tied to the prime minister. Berlusconi system her girls in two ways: in the entertainment world, to do favors to politicians who serve in the parliament or in politics. This is not a prize, but a strategy: Berlusconi needs to fill the various parliaments - regional, national and European level - of people devoted to him and ignorant, and completely controllable. These people do not speak, do not make speeches and act upon messages that indicate how to vote. The premier is trying to get a parliament made up of automatons in his hands, where the right to speak and vote are the prerogative of leaders who do pass the laws adopted by the government. Who tried to put a spoke in the wheel, the media or individual witnesses, is destroyed by true killer media. It is an apparatus disinformation worthy of the KGB of the Soviet Union, managed by the director of 'Who' and 'TV & smiles songs,' Alfonso Signorini.
Following this idea that you currently experience the world of information in Italy?
In terms of media, Italy is close to a modern kind of dictatorship. Berlusconi is not so much that orders things, are the journalists who censor, censor others and make a square around him. Even those who are afraid of the fight and the way they do their work makes it harmless. Are not made anymore questions that bring into difficulties, there are no investigations, except in rare in some newspapers and television broadcasts. Unlike other countries, in Italy the monitoring role of the press to politics does not exist and if there becomes so instrumental reasoning in terms of right and left.
That this film could have reflected public opinion, even among those who support Berlusconi?
I'd like to screen the film in a circle of the PDL, I would like to interact with voters Berlusconi, I would like them to realize things. I think some people put in front of reality could change his mind. The problem is that since we were denied distribution, we can not reach them. As you are moving
now?
We are acting on their own, through a Facebook page, a blog and the many contacts that we have created. We sell via the Internet and organize shows all around Italy, with screenings and discussions.
The experience of this film also shows that the small producers in Italy are struggling to emerge?
Small production are crushed because there is no room television. Mediaset not broadcast documentaries, La7 does not pay, Rai and return them to a few people around. A small Italian documentary ends up as the cinema, but even there it is not easy to get to a distributor, distribution on DVD, or external, where the logic are different. We are already dealing with a worldwide distribution in Spain, France and England have shown interest.
The film's official page on facebook: The Lady and the Knight
Sources:
Ansa.it
Lettera22.it
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Written by: Lorenzo Fiorillo
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